{"CurrentProductId":"2095","LastArtProId":"5845","artworks":[{"medium":"Ink on paper","painting":"https://d197irk3q85upd.cloudfront.net/catalog/product/cache/95dbdf78ad5a0d4b547132f80fbac8f3/c/h/chittap0137.jpg","title":"Satish Das","year":1944},{"medium":"Ink on paper","painting":"https://d197irk3q85upd.cloudfront.net/catalog/product/cache/95dbdf78ad5a0d4b547132f80fbac8f3/c/h/chittap0197.jpg","title":"Untitled","year":1952},{"medium":"Linocut on paper","painting":"https://d197irk3q85upd.cloudfront.net/catalog/product/cache/95dbdf78ad5a0d4b547132f80fbac8f3/c/h/chittap0682.jpg","title":"Untitled","year":null},{"medium":"Ink on scraperboard","painting":"https://d197irk3q85upd.cloudfront.net/catalog/product/cache/95dbdf78ad5a0d4b547132f80fbac8f3/c/h/chittap1614.jpg","title":"Untitled","year":null},{"medium":"Gouache and pastel on paper","painting":"https://d197irk3q85upd.cloudfront.net/catalog/product/cache/95dbdf78ad5a0d4b547132f80fbac8f3/c/h/chittap1628.jpg","title":"Untitled","year":null},{"medium":"Dry pastel on paper pasted on cardboard","painting":"https://d197irk3q85upd.cloudfront.net/catalog/product/cache/95dbdf78ad5a0d4b547132f80fbac8f3/c/h/chittap1990.jpg","title":"Untitled","year":1952},{"medium":"Linocut on paper","painting":"https://d197irk3q85upd.cloudfront.net/catalog/product/cache/95dbdf78ad5a0d4b547132f80fbac8f3/c/h/chittap2172.jpg","title":"Untitled","year":null},{"medium":"Ink, waterproof ink and gouache on paper","painting":"https://d197irk3q85upd.cloudfront.net/catalog/product/cache/95dbdf78ad5a0d4b547132f80fbac8f3/c/h/chittap2428.jpg","title":"Java Dancer","year":1947},{"medium":"Linocut on paper","painting":"https://d197irk3q85upd.cloudfront.net/catalog/product/cache/95dbdf78ad5a0d4b547132f80fbac8f3/c/h/chittap0371.jpg","title":"Untitled","year":null}],"bio":"Chittaprosad drew inspiration from village sculptors, artisans and puppeteers. The devastating Bengal famine of 1943-44 resulted in\u00a0his brutally honest depiction of\u00a0human suffering in stark drawings and sketches made in pen\u00a0and ink. These drawings and reports were published in\u00a0People\u2019s War, and culminated in\u00a0Hungry Bengal, a shocking eyewitness report on the man-made tragedy, copies of which were seized and destroyed by the British.\nPowerful and emotive, his art of caricature emerged as a statement in favour of the oppressed masses, and as a forceful denunciation of the tyranny of the ruling class and indictment of the prevailing conditions. Underlying the biting humour was a compassionate humanism and his images were essentially an appeal on behalf of the marginalised.\nApart from his body of works representing human suffering, Chittaprosad did several landscapes and cityscapes, portraits, female figures, nudes, still-lifes, and illustrations for books, while based in Bombay in the later years of his life. A defining moment was his meeting with Frantisek Salaba, a Czech puppeteer who lived briefly in Bombay. This association led to the making of a film on Chittaprosad\u2019s life, titled Confession, by Pavel Hoble in 1972. It won a special prize from the World Peace Council. Chittaprosad relocated to Calcutta in the last years of his life where he passed away on 13 November 1978.","image":"https://d197irk3q85upd.cloudfront.net/catalog/product/cache/95dbdf78ad5a0d4b547132f80fbac8f3/c/h/chittaprosad_cover_1.jpg","intro":"A self-taught artist, poet, storyteller, and an active member of the Communist Party of India, Chittaprosad was born on 21 June 1915.","name":"Chittaprosad","profile":"https://dagworld.com/chittaprosad.html","year":"1915 - 1978"}